Faculty Profile

Robert Pound

Professor of Music (1998)

Contact Information

on leave of absence Spring 2019

pound@dickinson.edu

Weiss Center for the Arts Room 206
717.245.1332
http://www.robertwpound.com

Bio

Composer and conductor Robert Pound teaches courses in theory, composition, and conducting. He is Director of the Dickinson Orchestra. Pound’s numerous compositions include orchestral works for the Atlanta Symphony and the Columbus (GA) Symphony, the St. Louis Symphony Youth Orchestra, and the Youth Orchestra of Greater Columbus. He has received commissions from such distinguished ensembles as the Corigliano Quartet, the Timaeus Ensemble, Alarm Will Sound, and the Florestan Recital Project. Pound has also written music for professional stage productions, including Eurydice, Moby Dick Rehearsed, Oedipus at Colonus, André Gregory’s Bone Songs and Strindberg’s The Dance of Death. In March 2002, Pound was Composer in Residence at Columbus State University. He was guest composer and lecturer at the University of North Texas in April 2010. Pound has guest conducted with Verge (the performing ensemble of the Contemporary Music Forum, Washington, DC) with whom he performed at the June in Buffalo Festival in 2009. He was Music Director of the West Shore Symphony Orchestra (New Cumberland, PA) from 2000 to 2002. As a Fellow at Tanglewood Music Center in the summer of 2003, he participated in master classes with Robert Spano, Christoph von Dohnányi and Kurt Masur and conducted Peter Lieberson’s Razing the Gaze in Seiji Ozawa Hall as part of the Festival of Contemporary Music.

Education

  • B.M., University of North Texas, 1992
  • M.M., The Juilliard School, 1994
  • D.M.A., 1998

2018-2019 Academic Year

Fall 2018

MUEN 009 College-Community Orchestra
May Not Be Audited.

MUAC 125 Music Theory I, with lab
An introduction to the basic materials of music by means of discussion, analysis, and written exercises, with a complementary lab component comprising practice in sight singing, ear training, and keyboard harmony.Course includes a one-hour lab each week. Prerequisite: 115, placement exam, or permission of the instructor. Offered every fall semester.

MUAC 131 Intro to Art of Composition
So you think the art of composing epic symphonies died with guys like Mozart, Beethoven, and Tchaikovsky? You think you need to wear a wig and be dead to compose great music? Think again! All around us, in concert halls, community centers, schools, private and public galleries, in large cities, small towns and even in isolated, rural settings, new music in the great Classical tradition is being performed and heard, music created by living composers, music of recent and current generations, your generation no less, music by people you may meet or already know. And you, too, can learn to develop a sophisticated, articulate musical voice of your life and times. Think: Symphony for the 21st century. In this one-semester, half-credit course, students learn about the living art and discipline of music composition through lectures on its history and current practice, listening assignments, and incremental composition exercises resulting in completed, small-scale works. Students will learn how the elements of sound comprise tools for conveying artistic expression, order, and meaning. Prerequisite: Ability to read music in both treble and bass clefs.

MUAC 133 Composers' Forum
All around us, in concert halls, community centers, schools, private and public galleries, in large cities, small towns and even in isolated, rural settings, new music is being performed and heard, music created by living composers in the venerable tradition of composers such as Bach, Mozart, Beethoven, and Tchaikovsky. You may never have heard such music, as it is a small fraction of programming on mainstream media. Nevertheless, this amazingly diverse repertoire passionately voices and reflects contemporary life, experience, and society. This is music of recent and current generations, your generation no less, music by people you may meet or already know. This half-credit course offered each semester explores such music, recent and contemporary (20th- and 21st-century) compositions and composers in the Western art-music tradition. Students will become acquainted with a wide variety of styles, will gain deeper understanding of the elements of sound as tools for artistic creation, and will hone analytical listening skills.

MUAC 231 Counterpoint
Permission of Instructor Required

MUAC 233 Composers' Forum
All around us, in concert halls, community centers, schools, private and public galleries, in large cities, small towns and even in isolated, rural settings, new music is being performed and heard, music created by living composers in the venerable tradition of composers such as Bach, Mozart, Beethoven, and Tchaikovsky. You may never have heard such music, as it is a small fraction of programming on mainstream media. Nevertheless, this amazingly diverse repertoire passionately voices and reflects contemporary life, experience, and society. This is music of recent and current generations, your generation no less, music by people you may meet or already know. This half-credit course offered each semester explores such music, recent and contemporary (20th- and 21st-century) compositions and composers in the Western art-music tradition. Students will become acquainted with a wide variety of styles, will gain deeper understanding of the elements of sound as tools for artistic creation, and will hone analytical listening skills.Prerequisite: 134.

MUAC 333 Composers' Forum
All around us, in concert halls, community centers, schools, private and public galleries, in large cities, small towns and even in isolated, rural settings, new music is being performed and heard, music created by living composers in the venerable tradition of composers such as Bach, Mozart, Beethoven, and Tchaikovsky. You may never have heard such music, as it is a small fraction of programming on mainstream media. Nevertheless, this amazingly diverse repertoire passionately voices and reflects contemporary life, experience, and society. This is music of recent and current generations, your generation no less, music by people you may meet or already know. This half-credit course offered each semester explores such music, recent and contemporary (20th- and 21st-century) compositions and composers in the Western art-music tradition. Students will become acquainted with a wide variety of styles, will gain deeper understanding of the elements of sound as tools for artistic creation, and will hone analytical listening skills.Prerequisite: 234.

MUAC 335 Comp Studies I: Orchestration
Permission of Instructor Required

MUAC 435 Comp Studies II:Portfolio/Proj
Permission of Instructor Required