Weiss Center for the Arts Room 227
Professor Schlitt teaches courses in art and architecture of the Italian Renaissance and ancient Greek and Roman art and architecture. Her current research focuses on 15th and 16th-century Italian art and criticism. She has published several articles on Francesco Salviati, Giorgio Vasari, Michelangelo, and the relationship between language and imagery in the Renaissance, and has edited (and contributed to) two books of new essays: "Perspectives on Early Modern and Modern Intellectual History," (Univ. of Rochester Press, 2001) and "Gifts in Return: Essays in Honour of Charles Dempsey," (Univ of Toronto Press, 2012). Prof. Schlitt is currently completing a monograph on Francesco Salviati and a study on the Arch of Constantine. Awards include the Rome Prize, American Academy in Rome; Resident Fellowship, Getty Center for the History of Art and the Humanities; Research Fellowship, American Philosophical Society; Fulbright Foundation Research Fellowship; Lila Acheson Wallace-Reader's Digest Publications Grant, Villa I Tatti, Florence.
ARTH 300 Ital Renaissance Art 1250-1450
A survey of painting, sculpture, and architecture in Italy from approximately 1250 to 1450. The works of Giotto, Pisano, Donatello, Ghiberti, Brunelleschi, and Massacio, among others, will be addressed. Issues of style, patronage, and function will be considered within the political and cultural contexts of the 13th through 15th centuries. Critical and theoretical writings of the period will also be discussed. Prerequisite: 101 and 102 or permission of the instructor. This course fulfills the DIV I.c. distribution requirement and WR graduation requirement.
ARTH 205 Michelangelo - Man & Myth
The melding of myth and history has always clouded the identity and achievement of "great" figures in art, culture, and science. The legacy of Michelangelo as a sculptor, painter, and architect began during his own generation, and continues to this day. This course will examine his life and art from both the persepective of his contemporaries and art-historical scholarship in an effort to understand the enduring significance and value of his achievement. The format of this course will be largely discussion-based.
ARTH 207 Criticism/Theory in the Arts
An introduction to critical strategies in and theoretical approaches to the visual arts from Plato through Postmodernism. Particular emphasis is placed on close analysis and discussion of texts. The course addresses issues of historiography, critical theory, and contemporary art criticism. Prerequisite: 101 or 102 or permission of the instructor.
ARTH 301 Ital Renaissance Art 1450-1563
A survey of painting, sculpture, and architecture in Italy from 1450 through 1580. The works of Botticelli, Leonardo, Raphael, Michelangelo, Bramente, and Titian, among others, will be addressed. Issues of style, patronage, and function will be considered within the political and cultural contexts of the 15th and the 16th centuries. Critical and theoretical writings of the period will also be discussed. Prerequisite: 101 and 102 or permission of the instructor. This course fulfills the DIV I.c. distribution requirement and WR graduation requirement.