Weiss Center for the Arts Room 202
Professor Schlitt teaches courses in art and architecture of the Italian Renaissance and ancient Greek and Roman art and architecture. Her current research focuses on 15th and 16th-century Italian art and criticism. She has published several articles on Francesco Salviati, Giorgio Vasari, Michelangelo, and the relationship between language and imagery in the Renaissance, and has edited (and contributed to) two books of new essays: "Perspectives on Early Modern and Modern Intellectual History," (Univ. of Rochester Press, 2001) and "Gifts in Return: Essays in Honour of Charles Dempsey," (Univ of Toronto Press, 2012). Prof. Schlitt is currently completing a monograph on Francesco Salviati and a study on the Arch of Constantine. Awards include the Rome Prize, American Academy in Rome; Resident Fellowship, Getty Center for the History of Art and the Humanities; Research Fellowship, American Philosophical Society; Fulbright Foundation Research Fellowship; Lila Acheson Wallace-Reader's Digest Publications Grant, Villa I Tatti, Florence.
ARTH 101 Introduction History of Art
MEMS 200 Ital Renaissance Art 1250-1450
Cross-listed with ARTH 300-01. A survey of painting, sculpture, and architecture in Italy from approximately 1250 to 1450. The works of Giotto, Pisano, Donatello, Ghiberti, Brunelleschi, and Massacio, among others, will be addressed. Issues of style, patronage, and function will be considered within the political and cultural contexts of the 13th through 15th centuries. Critical and theoretical writings of the period will also be discussed.
ARTH 300 Ital Renaissance Art 1250-1450
Cross-listed with MEMS 200-03.
MEMS 200 Michelangelo-Man & Myth
Cross-listed with ARTH 212-01. In this course, we will explore the figure and art of Michelangelo from a historiographic and critical perspective. Understanding his role as an artist and the effect of his art on his contemporaries and subsequent generations of artists, critics, and scholars through our own era will be a primary goal. Readings will be drawn from a variety of primary and secondary sources, and will include writings by Michelangelo himself, critical and theoretical commentaries, historical narratives, and art-historical interpretations. Conflicts within the scholarly community about how we might understand and reconstruct his life will also be addressed, as well as how the idea of the creative process was constructed and enacted during the Renaissance in Italy.Prerequisite: 101 or 102, or permission of instructor.
ARTH 202 Art History & Ancient Art
This course will examine major monuments in the history of ancient Greek and Roman art and architecture from the variety of interpretive perspectives with which they have been addressed in the scholarly literature. Students will study and analyze art-historical "readings" of these monuments and compare the strengths and weaknesses of the authors' arguments in terms of methodological approach and use of both textual and archaeological evidence. In addition, the authors' cultural assumptions, interpretive premises, and ideological goals (if any) will also be addressed in attempting to understand how these works of art have acquired meaning over time and what constitutes that meaning. Offered every other year.
ARTH 212 Michelangelo-Man & Myth
Cross-listed with MEMS 200-01.
ARTH 301 Ital Renaissance Art 1450-1563
A survey of painting, sculpture, and architecture in Italy from 1450 through 1580. The works of Botticelli, Leonardo, Raphael, Michelangelo, Bramente, and Titian, among others, will be addressed. Issues of style, patronage, and function will be considered within the political and cultural contexts of the 15th and the 16th centuries. Critical and theoretical writings of the period will also be discussed. Prerequisite: 101 and 102 or permission of the instructor.