Karen Lordi-Kirkham has extensive experience directing in both regional and academic settings. She is currently the Executive Artistic Director of Pendragon Theatre in Saranac Lake, N.Y. She has directed for the Jean Cocteau Repertory, Handcart Ensemble and Phoenix Ensemble in NYC, the Attic Theater in Los Angeles (where she received the Drama Logues Award for Best Director and Production). She has directed productions ranging from musicals to new plays, including the world premiere of Andre Gregorys Bone Songs, for which she also served as the dramaturg working extensively with Gregory pre-publication of the script. Highlights include directing Julie Harris in the world premiere of Peter Dees Amber Patches, touring shows to the Edinburgh Fringe Festival and Berlin, assisting Marshall Mason for the Broadway production of Lanford Wilsons Redwood Curtain and assisting Jiri Zizka and being dramaturg for the Wilma Theaters production of Stoppards Every Good Boy Deserves Favor with the Philadelphia orchestra. She has additional experience in dance and movement-based theater. She graduated with a MFA and DFA from the Yale School of Drama, where she was the artistic director of the Yale Summer Cabaret.
FYSM 100 First-Year Seminar
The First-Year Seminar (FYS) introduces students to Dickinson as a "community of inquiry" by developing habits of mind essential to liberal learning. Through the study of a compelling issue or broad topic chosen by their faculty member, students will: - Critically analyze information and ideas - Examine issues from multiple perspectives - Discuss, debate and defend ideas, including one's own views, with clarity and reason - Develop discernment, facility and ethical responsibility in using information, and - Create clear academic writing The small group seminar format of this course promotes discussion and interaction among students and their professor. In addition, the professor serves as students' initial academic advisor. This course does not duplicate in content any other course in the curriculum and may not be used to fulfill any other graduation requirement.
THDA 305 Advanced Directing
An inquiry into the process of translating a play from the printed text to the live stage. Detailed analytical techniques and major directorial theories are examined through readings, class discussion, and written assignments. Each student directs a one-act production under advisement of the instructor. Prerequisite: 205 and 210.
THDA 495 Senior Project
A culminating experience for students completing the Theatre major with emphasis in Dramatic Literature, Acting/Directing, or Dance. The specific nature of projects will be determined on an individual basis, but all senior projects will consist of at least two of the following: a) scholarship, b) technical/production work, and c) performance. Students will register for .5 course credit in the fall semester, during which planning and research will be conducted, and .5 in the spring, during which presentation of the project will occur. Prerequisite: Senior major status.
THDA 205 Directing
A study of the major techniques employed by stage directors. Visual theory, text analysis, collaborative techniques, and organizational strategies are examined and applied in class exercises including the direction of scenes. Prerequisite: 203.