Faculty Profile

Amaury Leopoldo Sosa

Assistant Professor of Spanish and Portuguese (2017)

Contact Information

sosaa@dickinson.edu

Bosler Hall Room 112

Bio

I was born in Santo Domingo, Dominican Republic, and have lived and studied in New York, Vermont, Rio de Janeiro, and Madrid. These crossings inform and drive my comparative and cross-disciplinary approach to teaching and research questions about the cultural productions of Iberia, Latin America, and the Latinx diaspora. In my classes, we engage close reading strategies and queer and feminist methodologies to unpack literary and audiovisual texts. As for scholarship, I focus on early modern life writing, difference and identity, subjectivity, vigilance, and the Inquisition. I am currently working on a project tentatively titled, “The Auto/Biographical Imperative," which examines 16th- and 17th-century I/Eye-texts, surveillance, and empire.

Education

  • B.A., Middlebury College, 2007
  • Ph.D., New York University, 2018

2023-2024 Academic Year

Fall 2023

FYSM 100 First-Year Seminar
The First-Year Seminar (FYS) introduces students to Dickinson as a "community of inquiry" by developing habits of mind essential to liberal learning. Through the study of a compelling issue or broad topic chosen by their faculty member, students will: - Critically analyze information and ideas - Examine issues from multiple perspectives - Discuss, debate and defend ideas, including one's own views, with clarity and reason - Develop discernment, facility and ethical responsibility in using information, and - Create clear academic writing The small group seminar format of this course promotes discussion and interaction among students and their professor. In addition, the professor serves as students' initial academic advisor. This course does not duplicate in content any other course in the curriculum and may not be used to fulfill any other graduation requirement.

SPAN 201 Intermediate Spanish
This course is a continuation of Spanish 102. The course focuses on all four langage skills: listening, reading, writing, speaking, with increasing emphasis on writing and speaking. Prerequisite: 102 or placement by department. This course fulfills the language graduation requirement.

Spring 2024

LALC 295 Int to US Latinx/Chic Lit/Cult
Cross-listed with SPAN 295-01.

SPAN 295 Int to US Latinx/Chic Lit/Cult
Cross-listed with LALC 295-01.

WGSS 301 Early/Mod Crossdress & Transg
Cross-listed with SPAN 380-01. Why did crossdressing feature so prominently in the literary, theatrical , and cultural texts of the Spanish Siglo de Oro? How did these gender-bending performances captivate the imagination of writers, readers, and theatergoers? What were the aesthetic, ethical, and political consequences of this practice? In this course, we unpack the construction and function of this figure, we examine the threat this tradition poses, and we analyze these transgressions in light of early modern and contemporary theories gender and sexuality. While our primary cases are from Spain (Miguel de Cervantes, Lope de Vega, Tirso de Molina, Pedro Calderón de la Barca, María de Zayas y Sotomayor, and Ana Caro Mallén de Soto), we compare these to examples from Spanish America (Sor Juana Inés de la Cruz), England (William Shakespeare), and contemporary television and film representations. Throughout, we consider questions of womanhood, desire, honor, vengeance, marriage, religion, nationalism, sovereignty, and resistance. This course will be taught in English with the option for FLIC.

SPAN 380 Early/Mod Crossdress & Transg
Cross-listed with WGSS 301-04. Why did crossdressing feature so prominently in the literary, theatrical , and cultural texts of the Spanish Siglo de Oro? How did these gender-bending performances captivate the imagination of writers, readers, and theatergoers? What were the aesthetic, ethical, and political consequences of this practice? In this course, we unpack the construction and function of this figure, we examine the threat this tradition poses, and we analyze these transgressions in light of early modern and contemporary theories gender and sexuality. While our primary cases are from Spain (Miguel de Cervantes, Lope de Vega, Tirso de Molina, Pedro Calderón de la Barca, María de Zayas y Sotomayor, and Ana Caro Mallén de Soto), we compare these to examples from Spanish America (Sor Juana Inés de la Cruz), England (William Shakespeare), and contemporary television and film representations. Throughout, we consider questions of womanhood, desire, honor, vengeance, marriage, religion, nationalism, sovereignty, and resistance. This course will be taught in English with the option for FLIC.