2026-2027 Academic Year

Fall 2026

ENGL 220 Intro to Literary Studies
In literary studies, we explore the work texts do in the world. This course examines several texts of different kinds (e.g., novel, poetry, film, comic book, play, etc.) to investigate how literary forms create meanings. It also puts texts in conversation with several of the critical theories and methodologies that shape the discipline of literary study today (e.g., Marxist theory, new historicism, formalism, gender theory, postcolonial theory, ecocriticism, etc.). This course helps students frame interpretive questions and develop their own critical practice. Prerequisite: 101. This course is the prerequisite for 300-level work in English.

ENGL 403 Meth/Models of Lit Schol
Permission of instructor required. This class will prepare students for writing a senior thesis by exploring some central questions of literary scholarship. Our class will begin with various analyses of a single novel, using this focus to exemplify possibilities in framing and investigating a scholarly question. Meanwhile, students will pursue a series of independent projects that test different parts of the research process for other primary texts of their own choosing.

Spring 2027

ENGL 221 Writing, Identity, & Queer St
Cross-listed with WGSS 351-01. Kate Bornstein writes: "I know I'm not a man...and I've come to the conclusion that I'm probably not a woman either. The trouble is, we're living in a world that insists we be one or the other." In this reading and writing intensive course, students will investigate how we approach the space outside of "one or the other" through literature, film, and narrative more generally. Throughout the semester we will explore and engage critically with established and emerging arguments in queer theory, as well as read and watch texts dealing with issues of identity and identification. Although "queer" is a contested term, it describes-at least potentially-sexualities and genders that fall outside of normative constellations. Students will learn how to summarize and engage with arguments, and to craft and insert their own voice into the ongoing debates about the efficacy of queer theory and queer studies. Moreover, we'll take on questions that relate "word" to "world" in order to ask: How might our theory productively intervene in LGBTQ civil rights discourse outside our classroom? How do we define queer and is it necessarily attached to sexual orientation? How do our own histories and narratives intersect with the works we analyze? Our course texts will pull from a range of genres including graphic novels, film, poetry, memoir, and fiction. Some texts may include Alison Bechdel's _Fun Home_, Audre Lorde's _Zami_, Jackie Kay's _Trumpet_, David Sedaris' _Me Talk Pretty One Day_, and films such as _Paris is Burning_ and _Boys Don't Cry_.

WGSS 351 Writing, Identity, & Queer St
Cross-listed with ENGL 221-01. Kate Bornstein writes: "I know I'm not a man...and I've come to the conclusion that I'm probably not a woman either. The trouble is, we're living in a world that insists we be one or the other." In this reading and writing intensive course, students will investigate how we approach the space outside of "one or the other" through literature, film, and narrative more generally. Throughout the semester we will explore and engage critically with established and emerging arguments in queer theory, as well as read and watch texts dealing with issues of identity and identification. Although "queer" is a contested term, it describes-at least potentially-sexualities and genders that fall outside of normative constellations. Students will learn how to summarize and engage with arguments, and to craft and insert their own voice into the ongoing debates about the efficacy of queer theory and queer studies. Moreover, we'll take on questions that relate "word" to "world" in order to ask: How might our theory productively intervene in LGBTQ civil rights discourse outside our classroom? How do we define queer and is it necessarily attached to sexual orientation? How do our own histories and narratives intersect with the works we analyze? Our course texts will pull from a range of genres including graphic novels, film, poetry, memoir, and fiction. Some texts may include Alison Bechdel's _Fun Home_, Audre Lorde's _Zami_, Jackie Kay's _Trumpet_, David Sedaris' _Me Talk Pretty One Day_, and films such as _Paris is Burning_ and _Boys Don't Cry_.

ENGL 404 Senior Thesis Workshop
A workshop requiring students to share discoveries and problems as they produce a lengthy manuscript based on a topic of their own choosing, subject to the approval of the instructor.Prerequisites: 403.