Faculty Profile

Anthony Cervino

Professor of Studio Art (2006)

Contact Information

cervinoa@dickinson.edu

Goodyear Room 104
717-245-1714

Bio

Mostly Harmless

Education

  • B.F.A., University of North Carolina, 1997
  • M.F.A., Towson University, 2003

2024-2025 Academic Year

Fall 2024

FYSM 100 First-Year Seminar
The First-Year Seminar (FYS) introduces students to Dickinson as a "community of inquiry" by developing habits of mind essential to liberal learning. Through the study of a compelling issue or broad topic chosen by their faculty member, students will: - Critically analyze information and ideas - Examine issues from multiple perspectives - Discuss, debate and defend ideas, including one's own views, with clarity and reason - Develop discernment, facility and ethical responsibility in using information, and - Create clear academic writing The small group seminar format of this course promotes discussion and interaction among students and their professor. In addition, the professor serves as students' initial academic advisor. This course does not duplicate in content any other course in the curriculum and may not be used to fulfill any other graduation requirement.

ARTH 323 Advanced Sculpture
Various sculpture media and studio processes will be explored including welding, casting, mold making, installation art, and expanded media as appropriate. An emphasis will be placed on technical and conceptual development to realize individual creative expressions.

Spring 2025

ARTH 123 Fundamentals of Sculpture
A studio course covering basic elements of three-dimensional composition and sculpture. Students will construct sculptures examining a range of media and fabrication techniques.

ARTH 235 Post Studio Projects
The course provides an introduction to a variety of art making processes and philosophies outside a traditional studio context. Projects focus on individual and collaborative experiences that are not media specific; students create site-specific interventions, text-based installations, and performances, among other explorations, to consider critical and conceptual approaches to art.Prerequisite: One studio course or permission of instructor.