Faculty Profile

Kent Barrett

Associate Professor of Theatre Design (2015)

Contact Information

barreken@dickinson.edu

Montgomery House
http://www.kentbdesign.com

Bio

KENT BARRETT is a multi-disciplinary theatrical designer and artist who has developed a wide-ranging body of work and established a national and international presence on the performance scene. Kent is a former company member with The Wooster Group, an NEA Grant recipient and an instructor at MIT. A prolific technologist, Kent's works have been seen at venues such as The Park Avenue Armory, Harlem Stage, La MaMa, Signature, The Public, The Brooklyn Lyceum, and Lincoln Center as well as internationally. In addition to his work in theater, dance and performance, Kent has also collaborated widely on independent films, art installations, and with various architectural lighting firms. Kent is a co-artistic director and founding member of the experimental performance collective VALLEY TRACTION. To learn more about their work visit www.ValleyTraction.org

Education

  • B.A., Stephen F. Austin State University, 2004
  • M.F.A., University of Florida, 2013

2025-2026 Academic Year

Fall 2025

FMST 220 Sustainably Sculpting
Topics may include new media, theories of media, audio, visual, and digital media studies and production, mass communication, journalism, and media and popular culture.Prerequisite: dependent upon topic.

THDA 231 Sustainably Sculpting
In this course we will learn, experiment, and develop skills in spatial designs and sound designs; how the intentional manipulation of sound and space sculpts worlds on stages and through the lens of the camera. Spatial and sound designs have become key components in live performance, from theater and dance, to concerts, galleries, and events, while making up one of the core elements in creating contemporary media. Throughout the semester, the student will study contemporary practitioners, theory, sustainable approaches and techniques of the interrelated fields of scenography and sound before developing their own style and work in visual and sonic story telling through hands-on creations in both film and live work. Special attention will be paid toward where material comes from, where it goes, as well as our relationship to our landscape and community.